We’re working with Machine Histories to fabricate the furniture that we have designed for our lobby renovation project in downtown LA. In these photos the Machine Histories guys are applying PVC edge banding to our benches. By painting each piece then applying edge banding, we get a two-tone color scheme with a durable plastic edge to protect the faces that people will eventually be sitting on. The holes in each profile are designed to accept the custom spacer that was described here
We like seeing the profiles before assembly because they’re a good document of our design intent. The piece was designed both as a monolithic form and as a set of profile curves so that each profile has a very particular, plucky kind of curvature. Each curve in the array is thought of as a springy band that we’ve attempted to coil into a loop with overlapping ends. The geometry has its own limits of plasticity and spring, a tendency to return to a set of primitive shapes in opposition to our attempts to bend it. This is a slightly different way of working than slicing up a surface model and accepting the sections, no matter what the resulting kind curvature at the scale of single slice. Here the design has as much to do with the parts as it does to do with the entire assembly.













